James Blood Ulmer - 2005 - Birthright [mp3@320]
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Torrent File Content (22 files)
James Blood Ulmer - 2005 - Birthright [mp3@320]
01 - Take My Music Back To The Church.mp3 -
01 - Take My Music Back To The Church.mp3 -
10.93 MB
02 - I Can't Take It Anymore.mp3 -
6.19 MB
03 - Where Did All The Girls Come From.mp3 -
11.8 MB
04 - I Ain't Superstitious.mp3 -
8.79 MB
05 - White Man's Jail.mp3 -
9.22 MB
06 - High Yellow.mp3 -
7.7 MB
07 - The Evil One.mp3 -
8.2 MB
08 - Geechee Joe.mp3 -
9.77 MB
09 - Love Dance Rag.mp3 -
9.59 MB
10 - Sittin' On Top Of The World.mp3 -
9.75 MB
11 - My Most Favorite Thing.mp3 -
6.55 MB
12 - Devil's Got To Burn.mp3 -
21.96 MB
Art
Back.jpg -
Back.jpg -
2.84 MB
CD.jpg -
2.86 MB
Digipak Inside 1.jpg -
5.23 MB
Digipak Inside 2.jpg -
2.93 MB
Digipak Outside.jpg -
13.24 MB
Front.jpg -
1.51 MB
Matrix.jpg -
516.94 KB
James Blood Ulmer - 2005 - Birthright [mp3@320].txt -
4.22 KB
Tech
James Blood Ulmer - Birthright.log -
James Blood Ulmer - Birthright.log -
6.26 KB
Tau - Birthright.jpg -
247.63 KB
Description
Ripped from original CD with Exact Audio Copy.
Art & Rip log included. All tracks are Properly tagged with art embedded in tag.
James Blood Ulmer - 2005 - Birthright [mp3@320]
James Blood Ulmer
James Blood Ulmer in 2011
Wikipedia:
James "Blood" Ulmer (born February 2 or 8, 1940) is an American jazz, free funk and blues guitarist and singer. Ulmer plays a semi-acoustic guitar. His distinctive guitar sound has been described as "jagged" and "stinging". Ulmer's singing has been called "raggedly soulful".
Birthright
Artist: James Blood Ulmer
Title: Birthright
Format: CD, Album, Digipak
Producer: Vernon Reid
Release Date: May 24, 2005
Recorded: Gigantic Studios, NYC, in 2004
Label: Hyena Records
Catalog: TMF 9335
Barcode: 8 25005 93352 4
ASIN: B0009HLCHE
Genre: Blues, Modern Electric Blues
Duration: 52:05
Wikipedia:
Birthright is a solo album by American guitarist James Blood Ulmer recorded in 2004 and released on the Hyena label in 2005. It was selected as the Blues Album of the Year in the 2005 Down Beat Readers' Poll.
AllMusic Review by Thom Jurek:
Since the end of the last decade, James Blood Ulmer has been involved in a conscious investigation of the blues as a force for reinvention. On various labels and with a varying group of musicians, Blood has fused, melded, and strained the genre through everything from funk to psychedelic rock and jazz with mixed but always provocative results. Guitarist and producer Vernon Reid has been a constant on Ulmer's last two offerings: 2001's Memphis Blood: The Sun Sessions and 2003's No Escape from the Blues: The Electric Ladyland Sessions. The quest continues on Birthright, and in some senses the stakes are even higher because this is a completely solo recording. Reid produces but doesn't perform. Ulmer is the only musician on the entire record. He plays guitars and flute, and he sings. Stripped to the bone, swampy, spooky, and sexy, Birthright is alternately jagged and flowing; it goes into the heart of the blues as Blood experiences it. Ten of the 12 tunes here are originals, either written in or transformed for the idiom. The set opens with "Take Me Back to the Church," and the familiar, dark, haunting harmolodic drone ushers in an entirely new take on the Delta pedigree. Going into the heart of music's origins -- the church -- he splits it wide open. He utterly revises "Where Did All the Girls Come From," a track originally performed on Free Lancing. His staccato multi-string lead playing offers chunky, riff-like figures as the vocals dig into the spaces between them. The rhythmic intensity is hypnotic. This doesn't mean he can't play it straight, as the strolling "I Can't Take It Anymore" attests. It uses the I-IV-V progression throughout, with embellishments only as one line bleeds into the next. On Willie Dixon's "I Ain't Superstitious," he brings the eerie, haunting atmosphere back into the tune. No rave-up workout, Blood's relaxed delivery allows his snaky, warm guitar to weave its spell on the listener as his voice hovers just outside the beat, zeroing in on the complex paradox at the heart of the song's lyric. Following a few tracks in, "The Evil One" is the Dixon song's twin, with its foreboding message, footboard rhythmic attack, and low-string dronescape. The folk song storytelling blues of "Geechee Joe" evokes the spirit of Leadbelly with its meandering, poignant tale. In Blood's hands, "Sittin' on Top of the World" isn't so much a raucous party tune that celebrates the disappearance of a lover; it's a slow, labyrinthine tune of acceptance and discovery. The guitar acts as the singer's foil, pushing forward, pulling back, and ultimately underscoring the truth as it is revealed in the grain of the protagonist's voice. Birthright is the album Ulmer should have made years ago. All that matters is that listeners have it now. It's a shining star in his catalog and a chillingly intimate portrait of his expansive vision and singular talent.
01. Take My Music Back To The Church [4:43]
02. I Can't Take It Anymore [2:39]
03. Where Did All The Girls Come From [5:06]
04. I Ain't Superstitious [3:47]
05. White Man's Jail [3:59]
06. High Yellow [3:17]
07. The Evil One [3:33]
08. Geechee Joe [4:13]
09. Love Dance Rag [4:08]
10. Sittin' On Top Of The World [4:13]
11. My Most Favorite Thing [2:49]
12. Devil's Got To Burn [9:31]
Personnel:
James Blood Ulmer - Flute, Guitar, Vocals
Note:
This is not my rip
My thanks to the original uploader
♪♬♫ ENJOY! ♪♬♫
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